His hairline was beginning ever so slightly to recede, and if he had lived another twenty years, instead of just twelve days, he might have gone bald, or very near it, and that would have made him miserable. Anything would, that came and nibbled at his beauty, or dimmed it a little, like losing a tooth or waking up with a sty or having a vein cobweb across his cheek in a miniature confluence, a red raveling of fine threads. Tonight, the night of Good Friday, a few minutes past ten in the evening, April 14, 1865, nothing was wrong with his looks. He was twenty-six years old and as fresh as a daisy when for the last time he came out of Peter Taltavul's saloon into the wet spring night and walked up the brightly lit cobblestone street. It was only a few steps to the door of the theater, and when he pushed it open and went in there wasn't a spot or a stain, a mildew, a wrinkle, a shadow, to mar him. He had on elegant riding boots with slender steel spurs that gave him a courier's consecrated yet debonair look, a black broadcloth frock coat, tight trousers, fine linen shirt, checkered necktie, brocade vest and soft slouch hat.
He was an actor named John Wilkes Booth and he was about to murder Abraham Lincoln, the President of the United States of America. He had the gun to do it with, a derringer about six inches long, a lightweight, luxurious little weapon mounted in gold, and a dagger, too, engraved with the spidery words AMERICA, LIBERTY, INDEPENDANCE. The last word was misspelled, but the blade was sharp.
--From The Spur
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